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Unveiling the Complex Legacy of CT Loo in Paris: The Enigmatic Journey of the Yixian Luohan

Writer's picture: Peter XuPeter Xu

During my visit to the Musée Guimet in Paris last week, I had the privilege of witnessing the captivating presence of the Yixian Luohan statue. The ancient stone sculpture left me in awe with their exquisite craftsmanship and serene aura.

In the realm of Chinese art, few figures have sparked as much controversy and intrigue as CT Loo. This blog post delves into the captivating narrative of the Yixian Luohan, a collection of statues from ancient China, and the complex role played by CT Loo in their discovery, promotion, and controversial sale to renowned museums worldwide.


CT Loo, an influential art dealer and collector, occupies a polarizing place in the history of Chinese art. While he is credited with bringing Chinese art to international prominence, his methods and dealings have sparked intense debates among scholars and art enthusiasts.


Among Loo's notable accomplishments was the discovery and promotion of the Yixian Luohan statues. Recognizing their artistic brilliance and historical significance, Loo played a pivotal role in catapulting these sculptures onto the global stage. However, the circumstances surrounding their acquisition and subsequent sale would generate considerable controversy and ethical questions.


The Yixian Luohan statues embarked on a voyage across continents, making their way in prestigious museums worldwide. Yet, their acquisition and display also raised concerns about the ethics of collecting and the rightful ownership of cultural artifacts. These institutions, including the Musée Guimet in Paris, the Nelson-Atkins Museum of Art in Kansas City, and the Metropolitan Museum of Art in New York City, showcased the Yixian Luohan, inviting viewers to explore their beauty and delve into the rich heritage of Chinese culture.


CT Loo's ambitious vision extended to the construction of a remarkable pagoda-shaped building in Paris. With its intricate carvings, multi-tiered roofs, and serene ambiance, the pagoda served as an enchanting space while captivating the imagination of visitors. Stepping into this architectural masterpiece was akin to entering a realm where transcendent beauty and ancient traditions converged.

CT Loo's legacy is a nuanced one, marked by both commendable efforts to promote Chinese art and contentious actions that ignited debates within the art world. While his role in the acquisition and sale of Chinese artifacts remains controversial, it is undeniable that Loo played a significant part in elevating the awareness and appreciation of Chinese art in Western museums.


The journey of the Yixian Luohan from the shadows of obscurity to the international spotlight is intertwined with the complex legacy of CT Loo. As viewers engage with these ancient sculptures in museums around the world, they are confronted with the multifaceted nature of art, ethics, and cultural heritage. The story of the Yixian Luohan serves as a reminder of the ongoing discussions and dilemmas surrounding the promotion and preservation of art, highlighting the need for a balanced and nuanced understanding of the individuals and institutions involved.

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